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Deepa Mehta

 

Was born in Amritsar, India in 1949.She received a degree in philosophy from the University of New Delhi. Shortly after getting married to Canadian filmmaker and producer Paul Saltzman, she immigrated to Canada in 1973.  However their marriage didn't last long.

 

Work

Although Mehta has no formal training in filmmaking, she began her cinematic career writing scripts for children’s films.

In 1990, Mehta produced and directed her first feature film SAM & ME, the poignant story of an unlikely friendship between two men, both outcasts of sorts, who form a deep and permanent bond despite the fact that neither is welcome in the other’s world. SAM & ME won the very first Honorable Mention by the Critics in the prestigious Camera d’Or category at the 1991 Cannes Film Festival.

In 1992, she guest-directed a one-hour episode of George Lucas's Young Indiana Jones Chronicles.  The following year, Mehta directed Camilla, staring the late Jessica Tandy and Bridget Fonda.  It was released worldwide in 1995.  Also, Mehta directed the final episode of Lucas's Young Indiana Jones Chronicles in 1994.

Mehta is probably best known for her "elemental" trilogy: Fire, Earth and Water.

Mehta's main point in making films is to challenge blind tradition in India: "It was important to set it [the films] in India because the story is happening there.  It is a microcosm of India, the challenging of traditions.  I seriously wanted to break the stereotypes of India, the 'exotic' India of the Raj and the princes and the mysticism.  Exotic India doesn't really exist" (Kirkland 11/24/97). Mehta admits her films are influenced by her life and her experiences.

The first, Fire (1996) with starring Shabana Asmi and Nandita Sat, was as controversial in India for its lesbian content as it was applauded all over the world for being ahead of its time in questioning the destiny of the marginalized Indian woman. It has won 14 international awards to date.

 

 

The second, Earth (1998), based on Bapsi Sidhwa's, Cracking India,  explored questions of religion, identity, friendship and family in the face of partition.

This film also won many awards including the Prix Premiere de Public at the Festival du film asiatique de Deauville, France in March 1999 and the Critic's Awards at the Schermi d'Amore International Film Festival. 

 

 

And, recently Water (2006). The action of the movie is set in India, in the 1930s, when the practice of child marriage was still prevalent and there was no societal or familial support for widows.

 

Unfortunately, after two days of shoots in Varanasi, because of violent protest by Hindu fundamentalists against filming of Water. erupted, Mehta was forced to shut down her production and go back home to Canada. It was not until four years later, in Sri Lanka, under the disguised title of "River Moon", with entirely new cast, that Water was revived.

 

 Water explores the desperation and destitution these women faced at a widow ashram, both through the eyes of an 8-year old Chuyia, played by a Sri Lankan, Sarala, and through ehy eyes of a beautiful woman who is prostituted ro raise funds for the ashram, Kalyani, played by model Lisa Ray. With unforgettable supporting performances by John Abraham, who play a Gandhi idealist and Kalyani's love interest, and Seema Biswas, who nail the moving and complicated role of Shakuntala, the most mysterious of all the widows whose hatred of being a widow is interestingly juxtaposed with her fear of not being one.


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